Transcribed by Steve Lacy who played with Monk in the 1960's.
-- Just because you’re not a drummer, doesn’t mean you don’t have to keep time.
-- Pat your foot and sing the melody in your head, when you play.
-- Stop playing all those weird notes (that bullshit), play the melody!
-- Make the drummer sound good.
-- Discrimination is important.
-- You’ve got to dig it to dig it, you dig?
-- ALL REET!
-- Always know….(MONK)
-- It must be always night, otherwise they wouldn’t need the lights.
-- Let’s lift the band stand!!
-- I want to avoid the hecklers.
-- Don’t play the piano part, I’m playing that. Don’t listen to me. I’m supposed to be accompanying you!
-- The inside of the tune (the bridge) is the part that makes the outside sound good.
-- Don’t play everything (or every time); let some things go by. Some music just imagined. What you don’t play can be more important that what you do.
-- A note can be small as a pin or as big as the world, it depends on your imagination.
-- Stay in shape! Sometimes a musician waits for a gig, and when it comes, he’s out of shape and can’t make it.
-- When you’re swinging, swing some more.
-- What should we wear tonight? Sharp as possible!
-- Always leave them wanting more.
-- Don’t sound anybody for a gig, just be on the scene. These pieces were written so as to have something to play and get cats interested enough to come to rehearsal.
-- You’ve got it! - If you don’t want to play, tell a joke or dance, but in any case, you got it! (To a drummer who didn’t want to solo)
-- Whatever you think can’t be done, somebody will come along and do it. A genius is the one most like himself.
-- They tried to get me to hate white people, but someone would always come along and spoil it.

